The Woman in the Moon

Fritz Lang was not merely a major practitioner of genre cinema but the creator of several genres, and a German documentary accompanying this handsomely restored 163-minute version of his last silent picture is correctly called The First Scientific Science-Fiction Film.

The Fifth Element

The Fifth Element set the tone for modern blockbusters. Twenty years on, Luc Besson’s neon-hued space opera has lost none of its off-kilter charm.

Space Men

In this film, his first as a solo director, Margheriti seems bound to a set of expectations that he is ill-suited to fulfill. Unlike every subsequent Italian space opera that I’ve ever seen, Assignment Outer Space wants very badly to be taken as seriously as, say, Destination Moon or Conquest of Space.

Gattaca

Gattaca remains a touchstone for anyone concerned about eugenics, genetic discrimination and genetic testing.

The Woman in the Moon

Fritz Lang was not merely a major practitioner of genre cinema but the creator of several genres, and a German documentary accompanying this handsomely restored 163-minute version of his last silent picture is correctly called The First Scientific Science-Fiction Film.

The Fifth Element

The Fifth Element set the tone for modern blockbusters. Twenty years on, Luc Besson’s neon-hued space opera has lost none of its off-kilter charm.

Space Men

In this film, his first as a solo director, Margheriti seems bound to a set of expectations that he is ill-suited to fulfill. Unlike every subsequent Italian space opera that I’ve ever seen, Assignment Outer Space wants very badly to be taken as seriously as, say, Destination Moon or Conquest of Space.

Gattaca

Gattaca remains a touchstone for anyone concerned about eugenics, genetic discrimination and genetic testing.

The Woman in the Moon

Fritz Lang was not merely a major practitioner of genre cinema but the creator of several genres, and a German documentary accompanying this handsomely restored 163-minute version of his last silent picture is correctly called The First Scientific Science-Fiction Film.

The Fifth Element

The Fifth Element set the tone for modern blockbusters. Twenty years on, Luc Besson’s neon-hued space opera has lost none of its off-kilter charm.

Space Men

In this film, his first as a solo director, Margheriti seems bound to a set of expectations that he is ill-suited to fulfill. Unlike every subsequent Italian space opera that I’ve ever seen, Assignment Outer Space wants very badly to be taken as seriously as, say, Destination Moon or Conquest of Space.

Gattaca

Gattaca remains a touchstone for anyone concerned about eugenics, genetic discrimination and genetic testing.

The Woman in the Moon

Fritz Lang was not merely a major practitioner of genre cinema but the creator of several genres, and a German documentary accompanying this handsomely restored 163-minute version of his last silent picture is correctly called The First Scientific Science-Fiction Film.

The Fifth Element

The Fifth Element set the tone for modern blockbusters. Twenty years on, Luc Besson’s neon-hued space opera has lost none of its off-kilter charm.

Space Men

In this film, his first as a solo director, Margheriti seems bound to a set of expectations that he is ill-suited to fulfill. Unlike every subsequent Italian space opera that I’ve ever seen, Assignment Outer Space wants very badly to be taken as seriously as, say, Destination Moon or Conquest of Space.

Gattaca

Gattaca remains a touchstone for anyone concerned about eugenics, genetic discrimination and genetic testing.